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    • The Fettering of Lunette
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    • Pochette
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    • Matriarch Tree
    • Mnemes
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    • Tea Dance or Folklorico?
    • zI SHA
    • Lady Ljutomer
    • Skua, Aftermath and Cello
    • Peshtigo
    • THE ART OF ROSA KORbin
    • Omilteme Cottontails
    • Violet Twice Golden Light
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    • Rosa Nitida
    • Allonge In Lace
    • 1/2 O=C
    • Lyrical Poetry
    • Trompe L’oeil
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  • Home
  • The Fettering of Lunette
  • Ambient Friction
  • Pochette
  • Gallery
  • Matriarch Tree
  • Mnemes
  • Papier-mâché
  • Bonairian Oleander
  • Tea Dance or Folklorico?
  • zI SHA
  • Lady Ljutomer
  • Skua, Aftermath and Cello
  • Peshtigo
  • THE ART OF ROSA KORbin
  • Omilteme Cottontails
  • Violet Twice Golden Light
  • Acrobat In The Waterfall
  • Rosa Nitida
  • Allonge In Lace
  • 1/2 O=C
  • Lyrical Poetry
  • Trompe L’oeil
  • Contact

Kristin Ryling

Lapin Press

Kristin Ryling Lapin PressKristin Ryling Lapin PressKristin Ryling Lapin Press

Skua, Aftermath and cello

It was a bulls-eye bruise, but a bandage made of  

clouds, a strata wound laminated, revetments of 

inertia, a flock of torments, but her lips ermine, 

in a lamb’s kiss, healing.  


Something wing bay, filamentule, combing marcel, 

her hair in Psyche’s knot, shimmering in harness, 

as the water mink, softer still, her touching flurries,  

like the hirsute floats, of dandelion seeds.  


I in court dress dance, the sculptures of Roman seal, 

inch of skirt in tog of iron, but she bodice to tucker, 

jupe or shift, breechclout and sleepers, a bedgown 

from the be-drapes of slumbering moons. 



Gather away from winter, wild scallions, seltzer leaf 

for scaling kohlrabi, feijoa, Jotunn to gauges 

greening, it’s May oath. 


 I hunger for the spring hours, for shop doors with  

glass displays, appetite’s Chaource, or Allgauer  

Rahmkase, Beaupre’ de Roybon, Cendre’ d Aizy,  

eager reach of choice.  


Swede turnips, whortleberries, Junes that custard 

near the earth, morning’s damper of remoulade,

 Lazarus nigh, that nurse the fruit.  




And so be the vestige landings, in recoils of clover, 

beloved alameda, trottoir the heart, it’s esplanades, 

candling primrose paths, on berms of metier moons.   


Lift from telpher, wings provender, wynd for wander, 

the damascene lanes, calm appurtenances, as hames 

may yoke, the handmaiden’s bridge, to airing arches.  


Soft thoroughfares through belladonna and burning 

bush, a peculiar kiss, between Mimosa borealis and  

Jurema Preta, if none for waste, the furtive posts  

of pollen.  



For all the children of Anemones, who search the  resignations, 

in the fragrant, fragile arms, of those  goddesses of baby’s breath, 

offering shelters beyond reprimand, lay but Filbert flat, it’s false 

deceits of  reconciliation.  


Tribune tribes in every loose of bonnet, good fortunes fingers 

below the chins, of homes untied, all the never telling, if tiny 

chivalries abide, to walk the gardens of John Keats, poems of 

reclamations, ides of Sweet pea, beyond understanding.  


Elope with me, to spider flowers, haven gentle, as if the 

radiant speak, in Queen Anne’s Lace of cordial friendships, 

the seals of forsaken spirits, last severance  the reducing bruise,

that wounded the purple larkspurs,  nymphs who must leave, 

for the valor of the iris.  





Cul-de-lampe, the sun crown, passementerie it’s rosette 

wreath, pom-pom of chinoiserie, chatelaines of ample 

nosegay, motif above a smile.  


Tassels in the spirals, of well favored Bonny, sultry shadows 

beribbon aigrette, the reeding light through beaded trees, 

white egrets bows of tress. 


 Pieridae and little yellow in filigree’s, cuspid fleurons 

furbelows, callipygian to the mignonettes, every arras

 unfeigning, the Moresque roses soft beset.   




Withering waters, petuntse pews through the church 

of forests, discoloring Pern of imaginary places, the 

white hair that ladies Eden, our natal neck of womb.  


These deities of Persephone, hands raised indolent,  

have tempered to malice, their cast of fearing stones, 

to bruising perse, humanities high yields, famine earth!  


Periapt the talismanic applications of gluttony, all  

who lash egg, the dormant Birds of paradise, or 

wastrels seeds, the perigynous of flowers, dry lake 

and crumpled bed, stripe lines of composting worms!   


Sprinkle innocent, the foreheads of the young, terse 

temples of grim future, grasping grip such baptismal, 

indifferent toiletries shroud to spritz, every lost  

Christ of sand.  




And the lampions were close, but their shadows  

were warmer,  incandescent, light wearing a coat, 

or the shawl’s girandole, which kept the hoods of  

covered ground in soft albify, of Welsbach mantle.  


 Aeolus attended the Tiw, yet uncertain of vidual   

occidental, clinging Cast iron, to it’s plant of night. 

Fear is ordinary, as the jointuress window might, but 

regain, for the Peace lily, the Dragon tree, leaf strong 

by din, and the moons helmet Pothos, sturdy.  




Fey so this casing, susceptibilities, sensations, reflex 

and reflection, blue spruce beneath the houppelande,

though the trinkets head tire, a cobbling more thin 

skinned, beneath the cape benefactress, of Inverness. 


Bandeau hearts endimanche’ fond propensity’s tailleur,

eyelash and pancake, mantillas soft soutanes, intuitions 

per handkerchief, haik in the drape. 


Chlamys company shoulderette, tampering faces beneath 

the grove oaks, ladies slippers unsealing hand hopes,

conscious but concealing, a finery of feeling, verve rain,

catching falls from tresses, bathetic atmospheres enabled.

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Kristin Ryling

Copyright © 2022

Kristin Ryling - Lapin Press


All rights reserved. No part of this publication, be it written, art or images, may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing, from Kristin Ryling or Lapin Press.






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