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    • Home
    • Ambient Friction
    • Pochette
    • Gallery
    • Matriarch Tree
    • Mnemes
    • Papier-mâché
    • Bonairian Oleander
    • Tea Dance or Folklorico?
    • zI SHA
    • Lady Ljutomer
    • Skua, Aftermath and Cello
    • Peshtigo
    • THE ART OF ROSA KORbin
    • Omilteme Cottontails
    • Violet Twice Golden Light
    • Acrobat In The Waterfall
    • Rosa Nitida
    • Allonge In Lace
    • 1/2 O=C
    • Lyrical Poetry
    • Trompe L’oeil
    • Contact
  • Home
  • Ambient Friction
  • Pochette
  • Gallery
  • Matriarch Tree
  • Mnemes
  • Papier-mâché
  • Bonairian Oleander
  • Tea Dance or Folklorico?
  • zI SHA
  • Lady Ljutomer
  • Skua, Aftermath and Cello
  • Peshtigo
  • THE ART OF ROSA KORbin
  • Omilteme Cottontails
  • Violet Twice Golden Light
  • Acrobat In The Waterfall
  • Rosa Nitida
  • Allonge In Lace
  • 1/2 O=C
  • Lyrical Poetry
  • Trompe L’oeil
  • Contact

Kristin Ryling

Lapin Press

Kristin Ryling Lapin PressKristin Ryling Lapin PressKristin Ryling Lapin Press

Mnemes - The Complete Anthology

Sound poems, exploring the music of words:

The hand of Hizen porcelain holds harlequin's pen, and the author's intarsia forms its fenestrate syllabus. Formosa Wrasse in ledger print the oceans, the halo-cline skin praise as integer pertains to the flesh, its pigment hearing the false emphasis of sins. Sages abrade a modest jurisprudence, yet if divinity is against the body's sensual impulse, what is this tissue that Rafael's butterfly paints and helix defends? The collage calls its brink-man to the phosphors of sense, to the chromatic alphabet that germane tarnish the sea's events, abject the soft sequins of silt, and tissue escort by liquid enchant.



Cumbersome frowns on limber Solidago, in hardier bearing than the general impuissance of field tethered fauna. Such bitter contribute that shall not defer from it’s intention. The diaphanous image in accordance with the astigmatic light, augmented beneath the latent Osmium lamps of even tide. Vacuous the misused linearity of the anaglyph months and the occupation of cold foreshortened apostrophes. Yellow boards of aging thyme, strained in tethered perils of season's hubris. The apples Jonagold, without find of purpose, retain their compositions of past lift, in summer’s honored carpentry, in the justified parity’s of common life.



Lunar ribbons, the cladist's to Carnot bend, to the emaciate ebb from atrophy in quorums fading along the apparitions end. The meperidine of sober chorales, slower soloists flaunt in the entire register of voice. Counter-soprano cosines, dart from plaint to floss, dulcet sigh Segway crescents according flesh, phrasing each pleasure. Thrift touching the prodigal hand, as gentleness studies perfection, a weakness in pressure, extricating the years in parenthesis, cautioning tenderly, do not overwork love. Variance may hear the peculiar difference in chime, from theremin, or nodes martenot, or red reed fires horizon, where the mistral patches the forlorn with the breast. To blank refrain castrato, the cathartic and precocious in narrowing combine. A split in weeping, Juliet fete, birthing lavish the bonfires of intimacy, sleep not wearing sweet corsage, though time may insist.



Guilloches flowers perpend on tedium cloth contain the Christian names of angels bound by morphemic threads to apprise the Sanskrit of tears for the crying born of runes. Nominative the paradigm ribbon or bratticed wire, Bendik, sounds cognomen upon the misterms of solid stone. The shorthand of progeny is extinction; the sun does hereby play the rain's drum. It is a bland truss man uses to cover the body of the earth, lagniappe scarves of dull conscience, a tautologies paint, sort that idle provocation threw across the garden, dying and spate poor regress, hold scarce to Lenten's arbors gone.



Nottoway Brome, palaver boots parting the patterned dock, to low, false blue trills of lesser scaup, and the trapezoidal megahertz of dragonflies. Much was consumed that fled clove or alchermes, inviolate in smudging through the crayons colorful fields. Companions in concentric catalpa, the lime wave subterfuge singularity spikes, offsetting tridents petite fogging, repeating in linearity as if by permission, oblique to and in every default, our warm, willow weight smiles. Rigid band oars of carotene wood pass through the draft belligerence, then Strega and eccentricity, creasing reclined rest, beside the chicory back, and illusionists beside the wailing wall, above all elusive conceits.





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Kristin Ryling

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Kristin Ryling - Lapin Press


All rights reserved. No part of this publication, be it written, art or images, may be reproduced or transmitted in any form, or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing, from Kristin Ryling or Lapin Press.






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