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    • Home
    • Ambient Friction
    • The Writing Tear
    • Gallery
    • Matriarch Tree
    • Mnemes
    • Papier-mâché
    • Bonairian Oleander
    • Tea Dance or Folklorico?
    • zI SHA
    • Lady Ljutomer
    • Skua, Aftermath and Cello
    • THE ART OF ROSA KORbin
    • Omilteme Cottontails
    • Violet Twice Golden Light
    • Acrobat In The Waterfall
    • Rosa Nitida
    • Allonge In Lace
    • 1/2 O=C
    • Lyrical Poetry
    • Trompe L’oeil
    • Pochette
  • Home
  • Ambient Friction
  • The Writing Tear
  • Gallery
  • Matriarch Tree
  • Mnemes
  • Papier-mâché
  • Bonairian Oleander
  • Tea Dance or Folklorico?
  • zI SHA
  • Lady Ljutomer
  • Skua, Aftermath and Cello
  • THE ART OF ROSA KORbin
  • Omilteme Cottontails
  • Violet Twice Golden Light
  • Acrobat In The Waterfall
  • Rosa Nitida
  • Allonge In Lace
  • 1/2 O=C
  • Lyrical Poetry
  • Trompe L’oeil
  • Pochette

Kristin Ryling

Lapin Press

Kristin Ryling Lapin PressKristin Ryling Lapin PressKristin Ryling Lapin Press

Pochette / The Fettering of Lunette

When days become common, time allocating Augean 

tasks, as once we were the open conical children, in joyful

momentums of velocipede, we fold to prate or Procrustean

gray adumbriations of the narrowing ends.


Weary as stones beset by waters of enclousure, maunder

protracts, our bondage of pillion or folds of parabola, we

thirst in detentions or fatiguing duties, departing from mammilla

human thrists, drying willows of morbidezza.


Return to the natal, following the just breezes of alliance, 

they are speechifiers of freedom, kindred without detentions,

inferring condolent songs of briefest commatic, vast unburdened

homologies of solace, and the lithe of sprig.




Once by way of field, a child’s pollen paint of marigolds, stains 

of black raspberries, where colors made manifest of spirit.

Woodlands where I set my fingerprints, crayon flowers of the 

long grass, loving expressions of tincture.


Blue head lillies, hare’s tail cotton grass, e’le’ ocharide de

Robbins, narrow leaf cattails and a Northern pheasant,

May apples and yellow lotus, fewarther obscure grass, slightly

lower fragrances just above my rib.


I was never Adam’s daughter, yet a simple friend of herb

Robert, whole leaf rosin weeds and white arum, the three way

sedge, pointer the wild blue phlox, purple loosestrife, northern

wild rice, purple prairie trilliums. 




Being an ern wind of kettle sigh, 

beseem the songs hautbois,

earnest the flowing period aroynt the gala,

Lock & Co hatters betimes, 

ere now the raising boost of brims.


Raimille betold the lofts of squander, 

bowler, tarboosh or cowl capucin,

as the felicitous drafts avaunt, caution the 

Metires, for the long white gloves

of birches find felt magnetic.


Tractable flights of denouments, as feathers 

regain their aftermath in betimes

of Chesterfieldian, the members of Billycock

hithertofor grieve the flocks, re-fair 

to establish met mercerie shops.


Bouffette ribbons afair from knots, efemeral

lessons of good behavior, impel

observent, floss egress of fowls, the gusts 

of sea eagals, Russo globe, sphere or spout, 

French berets or draping turbans.





Lighterman to Lana’i , figuring the poem of birds,

Kama’o, Amaui, O’ma’o, Oloma’o,

feathers of Molokai’, endearing skies. 


Then to fieldfare, Sahel sparrows, Saltators

Slate Colored Solitaires, Swainson’s 

Thrush, tome and the vaunt of readers.


Whole forms to the Veery, Purple Martin,

blue used only for women, Lazuli 

Buntings, carol craft of bright indigo.




To breathe as a fraction, to live as a third, while in the

quarter window, there is a rabbit, in visage of cacophonies,

ears back!


To move by unknown motives, to hold winter’s breath,

or the frost that is the chest, weights within those inches,

or winded paths self aberrant.


Eighths of conundrum, in Wilkerson I hear, peculiar

tessellations B flat of voice, horrific terrors through the icicles,

hard waters of larynx.


What shivers in poor cadence the childish spine, her’s

is a octave language below the secession of broken bones,

timbre’s artifact by the eaves the leaving snow.


Two by the scandal adherent the moment, the harkness

and the silence, both by divisions made rift of juncture, one

the tears, twice the weeping preamble.


Divinations quietly, full flesh pied through fire, both ways

the seams of child, frame, fate, coppice or seal, angles where by 

the body’s grievances, divide and break.




Nihilism was heard in the weeping, lead in the intransigent,

vinaceous the diminishing vein, full life in the siphon of minutes,

faithlessness in the orthogonal register, less by the gentlemen 

of the pen. 


The rectangle in the monument, odd portraitures in the cure

of moss, a quiet periwinkle in the hasp of casuist, a stipendiary

in the logomach of winds, caissons leaving through the 

palpitations of the flowers.


Nape of hope in the heelpiece, flinch in the actiniform of grace,

imprudent upon the shade, light in the agency of penmanship, such

sterling of Pelion, or the poise of leaf in golden atoms, 

gramercy flames in the famishes of banian.






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Kristin Ryling

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Kristin Ryling - Lapin Press


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