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    • Home
    • Ambient Friction
    • Pochette
    • Gallery
    • Matriarch Tree
    • Mnemes
    • Papier-mâché
    • Bonairian Oleander
    • Tea Dance or Folklorico?
    • zI SHA
    • Lady Ljutomer
    • Skua, Aftermath and Cello
    • Peshtigo
    • THE ART OF ROSA KORbin
    • Omilteme Cottontails
    • Violet Twice Golden Light
    • Acrobat In The Waterfall
    • Rosa Nitida
    • Allonge In Lace
    • 1/2 O=C
    • Lyrical Poetry
    • Trompe L’oeil
    • Contact
  • Home
  • Ambient Friction
  • Pochette
  • Gallery
  • Matriarch Tree
  • Mnemes
  • Papier-mâché
  • Bonairian Oleander
  • Tea Dance or Folklorico?
  • zI SHA
  • Lady Ljutomer
  • Skua, Aftermath and Cello
  • Peshtigo
  • THE ART OF ROSA KORbin
  • Omilteme Cottontails
  • Violet Twice Golden Light
  • Acrobat In The Waterfall
  • Rosa Nitida
  • Allonge In Lace
  • 1/2 O=C
  • Lyrical Poetry
  • Trompe L’oeil
  • Contact

Kristin Ryling

Lapin Press

Kristin Ryling Lapin PressKristin Ryling Lapin PressKristin Ryling Lapin Press

The Last Smoke Painting of the Matriarch Tree

I go to sleep with my mother, kiss softly her brow of cedars, before I awake.

The patois and the parse in the acrostic voice of 

shame, n-tuple permutations of subsets, children of

the unknown language, of the argot and the cant.


Quotidians in the body language of the vowel, or 

Ameslan of the consonant, the syndicated, isolation

of facial curse or said claw of Schrödinger’s cat.


Nonce word, calque, loanshift or borrowed ghost,

the semateme saber of scatologies, where sonnets of

Emily in phrases set, fails in echoes of metonym.




Horn rimmed tree in the meniscus prisms of the

monocle sun, henna the late day fields of grass, all ruby

shoulders in bisect of burning glass, Doric summer.


Volute reeds in blister, as tan drifts over the peach,

ochery in haruspex of lion grass, and the comb grass

as the winds portend, through reeds of broken tines.


Inchoate adit the lane of breath, something less

feasible regarding the air, what is canal to the dry

throat, as tubulus cough, from flues of Blue Herron.


Biconcave the lens of heat, subduing frocks of

Black Sapote, glare the Oak of Dodona, sufferings

zoetropes dross games of July, Sol-ish fires of prism.




For the runnel, the running ghyll of rillet,

dalles the apple moss which vie upon the neap,

my steps unsteady like the quavers of charivari,

on the rota of stones, I shudder sluice.


I detest in the barsat where the waters never

join, either habit of attire wherein rivers part by 

callous of granite, but join the burn knavish,

by flat or gybe, the other side.


Lay the mead it’s impanation, mature waters

of indecorum, where the lease of trespass seeks the

sand, Sangraal the holy beads without pleasance,

gains of prosper, ascend to rebel.




The clouds moved on,

and the Bashful Wake Robin remains,

the False White Indigo,

drifting,

the Wild Blue Vine,

covers sheath,

the Schreber’s Water Shield.

Hearts climbed tall, 

the Vase-vines, Clematis Viorna,

desiring holds still the Bellflower,

though hap of Halberd leaf,

the field here is still ringing,

and the Dutchman’s breeches,

yet impel by Ardor or shape,

the nurse’s hat.

The Wild Teasel,

falters un-incumbent, grain gray flax,

or tenderest losses of pickerel weed,

White Trillium,

or Chelone Lyonii,

as the Turk’s cap lilies retrace,

weld feels certain,

the lovely, plaintiff cloud, Baptisa Alba,

whence moved on.




Aquarists swimmers, flexion motions Rose Dore,

fluid emotions in Thunniforms of crescent fins, hearts

in ascendant assignations or sates of Scarlet Lake.


Not as the codices or rivet stems, Countcoffe lavender,

or under-water of Davy’s grey, her last of thin brushes,

Luke branches, grief of Quinacridone violet.


From the thus of Smalt seas, Phthalo turquoise as 

suffer come up for air, lateral love augment false this leaf

in her river rushes, Capital Mortuum Violet.




Esme’s eyes of YlnMn blue, ( in-min blue ),

Agnus ribbons of excelsior, importing cuts 

of light, alter pieces observing the Seax cuts 

in schematic grasses moving, sensorial pupils of 

sporadic black capillaries. 


Takemasa minuets as silver censors pulse, 

filament emotion in pictorial enamels, 

Pammakaristos sanctuary, light gold leaf 

of kiln writings, Esme’s mirror black in Ottonian

arts of flames burning.


The waltzes of permissions, in eidolons weeping 

dance through met mezzanines of stained glass,

hopes in reminiscence irons of Suigenkyo, or the 

pyramids of incense, her lover’s heart, remembering 

the nuance of melds or realgar smoldering, craft travels 

of times terraces retracing.




Phacelia flowers, Colletidae’s of flitting chittarone,

purple pollens for the ramekin, thalo violet the tinctures

of sweetest honey. 


Amegilla dawsoni, rehoboam sectors in Basse terre

of hives, blue pollen squills, yellow morph of sunflowers,

yellow white of heather.


Orchard bees Euglossini, carry home the brown pollen

of cherry plums, filling vacancies of tabula rasa, notes upon

truant rain, or fainting sun’s of defector.


Absentees the blueish gray of borage, greens of anthers

and pannicles, greener banding lilies of the quilts, lost Cretotrigona

prisca who had fall among amber.




Authentic bread as a woman gives, Le De’cret Pain,

Groseille sutane, the bread decree, e’pi, ear of wheat,

fruits of longanimity, Pruneax ou, parities chataignes,

fraiche, pain complet.


Petite hands of small church, mille fleur her fingers

carrying full fields, Graines de Lin, Paquetette, Aconit

de Noel, Liseron, Tournesol, gloss touch of dart, le

clocher, flambeau, autumn flan.


Flambéed pears, acreage seasons, le Demi-hectare 

mascin, tea noir, femme le sucre, Pommes sechees, 

Apricot sec, Pan couronne, Manqué, Baies de Goji

sechees, Canneberges. le miel, le che’ri.




By the brand or acetylene of the summer star,

or scintillation of asterisk, which aviate ember comets,

the Cimmerian screen withdraws. Unlike the louring

thunder, the water light tapering tamps, the gloriole

of morning, glister raising mantel, glare azure, upon

will-o-whist white. Pharos in every courtesy loft, the

four-de-lea of staircase cypress, passing the childish

glee of splendid Em Holden, of sconce or sun-ray

lamp, soft fragrance aids, but dalliance to veil.




Comforting Batiste, placing soft wrap around

yesterdays’s shoulders, cajoling the wandering horizons,

tears of unknown edge, past Courbet’s marine, leaflet

memories pressed under sextants of soil and grass,

adrift calendars of casual meandering.


Recesses speaking for the pre-chant skies of saints, 

past braille lace flowers, unstitches of memories, absentee 

segments of Chantilly, linear definitions in courses of objects, 

should the base knots of beginning threads, be covenant to

me, every tailor, a bidden bind coming?  


To frighten the thicket it’s impasse, sickle in sprites

of endless dispatch, some be the path of weeds, an excess of 

exercise, keeping callous the palms of days, search the felling 

for a way, cutting the scaffolds of knuckles, skin of slivers,

dreads grains in obliques of hardwoods. 




Sulids song from the Floratam,

Sanderlings serenades from the sea grass, 

from the reed splines, tomes of splendid reminiscers

gamelan orchestras of Pomarine jaegers.


Custos breve in half rest of clouds, ottava 

wings of passage, Ash split songs of cane or

chantress, soft diesis of Akepa, tercet orange mediant

melodies, Dorian blues of presa hosts.


Bouteloua or lovegrasses, Coix lacryma-jobi,

Oriels of Oryza humming, leitmotivs of soft strains,

inland winds among the Teff, patina songs of lemongrass,

yellow Sordo of sweet Saccharum.




Glass art marbles…

satellites wet mint purple,

Christiansen agates, 

Veiliglass wire pulls, Seahorse orange,

blue tang, play of childish planets.

Vaseline glass,

helmet clays or watermelons,

hand-mare orbits of morning glories,

Jabo, Peltier,

buddings of interior breath,

inside the rainbows, 

successor’s games of 4 veined cat’s eyes, 

per Akro, Das purple,

Ghost marbles of brushed conquerors,

translucent redwoods, ravenswood black,

green glass of enchanted forests,

Cairo Heaton,

lavender fluorescents, re-agent plums,

aquatic brown or ruby dragons,

King Vacor dreaming,

nightshade comets,

Cadmium stars or light bound clearies.




Always petting the candle light, 

briar wick of paraffin 

uviol lamps by oil’s incite,

chartreuse, 

the braise of stars. 

Owlet’s walking the gables of Aries, 

leaving lashes to the flame,

slender calefactions, duelists replevin,

fire eaters, fair to grief.

Late August of mulberry, 

certain within sires of peat,

conceive the lads of noon less creative, 

than cinder nights mosaic sate,

hire heft, 

the stronger pectoral spark.

Leavening sulfurs, merrymaking,

for daughters without, the lights of sheath, 

more piquant blush sustaining, 

saffron moments, trembling white

ingots of crimson mantelpiece.




Jurisconsult, barren peach tree, assumpsit of December’s

discrowned sun, pugnacious disputations of fruitless attendances 

in mora of wastrel’s branch, thrive in replevin the extravagant 

demand, orchards to terrace, a huis clos, oblique natural orders,

prorogues per demand.


Flordacrest or Carored, by yellow dances Fond du Lac,

come the tympan or the lamella leaf, in the petal of full season,

there will be licit flowers in ridicule of reason ere the darkness

adjourn, premise thrive thereby the light, surrebutter serve writ,

sighting grace of bitter season.




Hand giving transfers, comely chirography,

passage fasteners of heart, trysting places of 

retinues, mousseux, intumescent leaflets proposing,

ornaments sequela in soft remittance, heirlooms

of hemming shadows.


Letters of shoal press supine, the glyphs of

figurina, merits of paper where hearts of intaglios

rest upon her pillows, notan daughters black

and white.


Pleasantries leaning in draughts of tablature,

pentalpha principles of her stars, mullets five by honor,

leafing skies of symmetrical beauty, all be it to limn 

of poetry, marmorean touches values Parian,

quint passions of pentad hearts.




Bohn the illustrations of light, bright birds

of morning mezzanine, periodic oratress among

the kittiwakes, pittites of flowers, breezes of Eng.

theatre, golden tortoises intramural light’s

ambition. 

Might I here, a copper intermission? 

Lowering candles to the sequins of horizon , 

breast of evening, intercession as flames dismast,

wreaths refulgent lain to ground, requiescat in pace, 

the shadows leave in silent chiaroscuro, 

ci-git. 

Might I here, oil of floating lanterns?

The hour transposes, trespasses of Somerset,

foresight of mature season, clarets resurgent 

compline to chersonese, morning’s ruby whisperings

of Myrana, patois of Lepistemon, Mary of olives, 

new labor.




Nierembergia surrounding, she married,

Tophet, in deference to minuets,

in avaricious alter, by will of caitiff,

her minuend to entrammel.

Obedience full consortium,

she became reach greetings of his hand,

her beauty blackening, 

full will with remission,

she was her husband and therefore a man.

Pejorative cleaning the eunuch flute,

her quantifying onion of weeping ends,

gravamen song contumelious singing,

she the 6th digit in the rind of his hand.

His jonquils expanding as she absolves,

paragon flowers of parsimony,

having married charities of self missives,

benefits magnanimous, unwittingly

selfishness finds him kissing only,

his own empirical ends! 




Tilings perhaps of plein-airist or poetic kineticist,

hardened incising postconcretist,

copperplate tinting clay words, statuaries 

of mono winds with scenewright meanings.

Gilded idealist of rye vignettes, processes bound

in dry points of zincograph, should the light

feel better than tan or Paul Ricault be conferred

with greater burin purple. There is that drawer

of water just beyond where the sand knobs 

begin, pulling from the active world, lure 

yet, waves again, but the aquarists and 

marine painters must model the consenting impress,

dreams depicting slenderest focus. Eakins, Delacroix

and Ozenfant caravan to move the view, as does

the aquarist writer mouldering words unist, such 

temperaments preserving poptical artists.




The sun turned left onto Meredith, moving remunerations

to the frugal horns of cicada’s song, with warming shoulders 

I step in balance, the regal rays of dawn, paradigms fortuitous 

peaceful ascent.


Breezes of oklava fold upon the Rymin rye, lifting lightly

slight debranned grains in it’s whist of baskets, briefs of

quiet force engaging my paces, wherein delights it’s excitations

scurry.


I to the sorting rare pleasures, found Criollo beside the

the Dutchman’s pipe, leaves of Huichol parting the awakened

mists, calm my own wavering breath, farriers present moistened 

with glee.




Most of life we didn’t build, as we function in

preexisting structures, the old growth and the

autobahn, transits of cypress for aggregate stone.

Hundreds fore our trace of land, ampules of this

earth, agile beauty the fragments we walk, my

lover true. This garrison window others will

use, on the hour my flesh is done, I will sleep

in you, this closed heart of worship, not knowing

the long spines of Juniper which surround me.

Perishables here I suffer, forgetful relinquishments 

of the boundless views wherein my thoughts 

your graces planted, a parcel of all returnees,

to the chilling order of this womb, recount me in

my dying the tiny wakes of grass, being feathers,

the streams of drinking hares, I postpone before

such harvests, how devout this wrestling heart

pleasured docile sprigs, darlings of arduous habitat,

bitter forbade I can’t take with me, gracious daily,

neither portrait or friend.




Come to Amur Maackia, come cornucopia,

bracing shoulders of staves decoctum, 

limber tempering bound-ish hearts Aotearoa, 

Anne Marie Trechslin.


In reeds of rain, on fell bales harvesting, the

drinking of Johnathon’s, blushes soaking

Gala, yellow xanthins Idared, artesian’s cast in 

fluid fain of autumnal muscle, passions 

met of season. 


Bordure Nacree, Clair Matin her archway of 

six roses, supplicant breezes her sighs in 

Vive, thrive again forward springs, Clea’s Roses,

Belle Poitevine awaiting her gaining sounds,

of filling leaves entry.




Tea’s -

Darjeeling Margaret’s Hope,

Yin Zhenceleste,

darling Karas Choat, 

caressing certain pressures 

of fingertips,

delights to elicit,

dampened sighs from porcelain.

A morsel dropped, of Pu-erh,

raising pitch,

in premise of leaf, 

both vegetal and vanilla notes,

and perhaps dark dragons,

in delightful delicacies

of floral temperament. 

There is a stone with a ring bore,

aligning center table,

her morning portion 

fresh by air,

of Kiptagich Purple oolong,

offering mineral

and artichoke notes,

tomorrow dark liquor

in tomes of leather and undergrowth,

Kukicha Stemgreen,

her way of finding earth,

per tear, craft swelters atone.




A mural of Peltogyne, 

painters of unripened reseda, 

natives of amaranth,

reticulations of plaster, 

brought a beautiful fidelity 

to the nescience woods

of Purple Heart.

Numeracies in gnosis of leaves,

sophistries of the unlettered artist,

lines in foresight of acuity,

remaindered time,

in delicate, warm distortions,

misnomers of textures,

tender discordances of highlights,

tyro days, of expatriate elders.

Cognizance in due passage,

I felt the air of wallows,

in light headed passage,

donnish templates of the peace,

that principal hour of old hand,

pausing extricably the rote,

a date of wrinkled fingers,

passing tenderest visage,

simpler qualities across my face.




For Ciba, light blue captions,

livid blue announcing skies,

for Ciba, who atones in soft plebiscites 

Lammas Day, Scilla siberica.


For Ciba, gifts of brass rubbings,

weatherings phthalocyanine,

brindles of indigo, her Blue Niles crying

perturbations in hand of Strawberry mark.


For Ciba, skimming bluets, Sedge sprites,

how softly she adapts the peacock wings humming,

her heavens songs of Robin’s egg blue,

stria shells of heart, as the yoke is breaking.



What is friable of yellow book

or siphon recorder, or physical research

the paste persons of what not?

Holocaust born of bund,

spurious reconnoiter,

executioner, evidence,

nihilist of self amanuensis,

hold me pomace, incrassate skin of hades,

intrust the why boxes of lost hopes,

stain of rose du Barry.

My shivering gelatins of surfeit faith,

factums grief

grenat bleeding, I coralline no more,

wounds sanguine,

the cruel death of color, 

ponceau or rubic,

chiffonier of many drawers, creasing poultice,

to this inhabitant 

in the mashes of almirah.




Felled to musket, vassalage imposter,

the plagiarist that lives my life,

contestant in tendril vehemence,

fumette or filament, paucities of diminutive,

a trace remembered behind the zealot.

It is small numbers I penetrate, I handle 

breath from infrequency, I minority,

in the outline in exiguous clearings, the

remanent of catachresis, trope or simile delineate 

has left, I am a carving of memory,

an impression, a palliative end in a change

of color, a paint the waters wore thin,

dissolutions of the patch, I pet my mirage,

from positions dead.




Sheaths of pacific, calumet of milt,

truce the bodies of amnesty,

armistice the fiqurework of waves,

botany of chaplet blue garlands,

where laden surpass the bonds of felloe.


Moulding of astragal, patera of Ovolo,

tower forms the flesh will build,

prospects fleet of timorous, whist to ulster,

atlantes, telamones of May,

garland yield's, the roe of prospects.


Rodomont the sea tides of self applauder,

and every extoll, puff of shore,

very rolls of sea flowers, corals or sargassum,

what mangroves solipsist of tea,

sovereigns continue, vibrant coxcombs of corals.




Green verdant, attached by fillet,

St. Bridgid’s coif,

stone bruises, the looms medieval,

though light mignonette,

draping soft thailo,

according buttons of typha sprouts,

thin linen spirit, earthing,

branch in brisk of fold.


Spirals in breath of glossaries,

in the seed are timberlines,

the universe in broken cinch of origami,

brindle binds of Pythagorus,

evermore wrists the mockingbird,

emerald grass eternal breathing,

caress waves ever knelling,

Waxwings in rocking chairs 

of the branch.


Coiling lamp, the day of travel,

night or glooming abide,

ring fires caprice the light turning, 

lost or eager souls, come again,

sovereign death finds birth certain season,

perils sown, the tangents redeeming.




Languid trifling, borrowing 

the Little Dipper, waterlily,

in hospice sipping, I carry to land,

Nymphaea Atropurpurea,

Nymphaea Charlene Strawn.


Docilities sequins, tapering aqua,

claret, I bring to the Dahoon holly,

waders of Myrica cerifera,

gatherings before Salix caroliana,

Golden rods, Solidago spp.


Comely vase, in gin inch of water,

hospice least entrammel, 

pathos, syrup umber soil,

Liquidambar staciflua, 

Osmunda cinnamomea,

leaf of pickerelweed,

white-flowered duck potato.




Adelaide I ask, of blue en seconde,

disposition of gait,

why the narrows of precipice,

or battements of the instep,

mourning waters of tendu?

Adelaide I reasoned, corals of Releve’,

alacrities descant,

sunders of sodden white swan, 

whither wastrel, in pointe per Jete’

weak between bound bands, Plie’.

Adelaide hazards, raven black in 1st position,

ilk fond of Chartreuse Miller,

caress Port de bras, Pirouette,

reverend duets Passe’ the waterfall,

fugue the feathers gable, Mute Swan.




Silk or forbearance, Lady Walpol’s reel,

weeping frondeur’s cautions in sluice, 

fanfaron the rivulet slips, digress from the

shoulders, Lady KORbin immure to flounder.

Coccothraustes, coccothraustes, the feathered

nettling of the hat, yellow finch Spinus varying

derby, consummation or consumption, in tillage 

of Baskin’s cap, flitterings digression compact.

The warming finger towel, brought her tears

to courtship, sop to sates left drink for orchids,

Miss Walpol would belie her sea to other port

of contrite dispositions, Lady KORbin’s glacé 

glance mete her back, soft hopes with eyes of

sweetened Eucalyptus, early coy of certain regret.




Adelaide I ask, of blue en seconde,

disposition of gait,

why the narrows of precipice,

or battements of the instep,

mourning waters of tendu?


Adelaide I reasoned, corals of Releve’,

alacrities descant,

sunders of sodden white swan, 

whither wastrel, in pointe per Jete’

weak between bound bands, Plie’.


Adelaide hazards, raven black in 1st position,

ilk fond of Chartreuse Miller,

caress Port de bras, Pirouette,

reverend duets Passe’ the waterfall,

fugue the feathers gable, Mute Swan.




To err astray the Zenaida doves,

peccable soils frail,

innocence lay alight the feathers,

saint Adam raise the newborn tender,

Namaqua doves invidia.


Knavish greyhounds of herringbones,

arraign upon the inculcated tooth,

callous citizens of hunger,

shriftless before the starets of pillar,

sentiments conducting salt.


Children of the nest, yeaforsooth,

spalpeen or bindlestiff, the eider down 

of caitiff fate, n’er the gallows bird,

ascent regardless, amendable passions 

of the Inca doves.




The headwind took a musical first chair,

feckless, tacit hands, deft fingers,

a paragon stringer which brought it’s instinct,

Perth operetta, to the sonnet trees.


If wizardry were felt, inhale and exhale,

a proficient polymath, or gifted 

mystagogue, handedness was breathing,

in harness as the madrone bent.


In Renaissance of my impressions, perhaps

the Siskiyou mountains were pushing 

back, but seneschal had not practiced the sage

of Rasputin, as had the custodial trees.


As was as if, the gales of magnum opus had

not encountered the cultivars of the Elfins,

in the care of husbandry, I kept possession, 

my rein of scarf, as aft Bows Fedora!




Characters cochineal, Serin finch or Schalow’s

Turaco, asmine feathers with Loden green leaves on 

oval peripheries, crowns of hanging flowers fuscous,

dun, Demerara , imperial purple spinnerets.


Avid pink of Coquerel’s Coua, Luma white braille, 

fuchsia rings of fleur de lea, beneath water silk eyes 

of lapis lazuli, amaranth of tufted Coquettes, follow

rosaniline, Bali Bird of paradise, flights of Kagu’s.


Naive jade of Chinese drawing letters, are written

press, retort designations impressed in feathers of 

Impeyan Monal and Swinhoe’s Pheasant, xanthene

bands, canscent silver, pomelo or gentian prose.


Budgerigar’s, Ibis and Temminck’s Tragopans,

carry cerulean, musical symbols upon their chests

cinnabar affectations of orange pekoe and massicot

in spring or sallow regions, songs roan or niello.




Trompe l’oeil, sfumato

the nude or aerial perspective,

contemplating the found object,

limn or cross hatch of thought,

the chasing of the cameo.


With solvents or by turpentine,

the bone carving of the shadows,

scene paintings, sand castings,

cire perdue, the kinetic bronze

rivers of annunciation.


An oud wind speaking to the 

aquarellists, fete galante, the 

conversation piece, atelier, camera 

lucida versus the museum’s retable,

finding home penorcon unstable.




All the Falco are born to spring, every Merlin,

or Common Kestrel, Gyrfalcons as well as 

Claravis and Laughing doves, beside the hard

seeds coming, Sugar Ann peas and Cloudberries.


What grows from May of Ashmead’s Kernel,

of Frequin Rouge or Dabinetts, Elderberries of

long vine, holding notions of Aleutian time, of dials

Chamorro, and as well lands of Myretoun Ruby.


Lulworth butterflies revisit the long past of Erica

Darleyensis. Blues to Daboecis, the Commas and

the Checkered white, Mourning cloaks in the pearls

of Cosmos, reed for reed, sugars Bouvardia.




























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Kristin Ryling - Lapin Press


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